Jigs, single jigs, slides, slip-jigs etc.
I picked up “Marche Alexandrine” from an Old Hat Band recording many years ago. It is from Quebec.
I was only able to find it online recently. It’s also not in any of my music books.
- Alexandrine march played in G on a D/G two row Excelsior melodeon - Recorded February 2016.
Behind the haystack
One of the first Irish session tunes that I learnt on the melodeon when it was played regularly in sessions at The Foresters and Broomfield Tavern in Coventry in the 1990’s.
- Behind the haystack played on a one row 4 stop Zero Sette melodeon in C. - Recorded April 2016
Bill Hartes Favourite
Learnt many years ago (1990s). A 48 bar Irish jig.
Black joke, The
A Morris dance tune, also known as the Sprig of Shileleigh in Ireland.
Another Irish tune learnt at Coventry sessions.
The tune is a traditional Dutch dance tune. I play it pretty much the way of the original, except for the number of times through each part of the tune. I play it as a 48 bar (AABBCC) tune rather than the ABBC of the original.
Bonnets so blue
A tune I learnt early on. It exists in the English, Scottish (where this tune name comes from) and Irish traditions.
Camels are coming, The
Written by Ian Wilson of the bands “Peeping Tom” and “Be’lzebub”.
Captain Lanoe’s quickmarch
Cock ‘o the north
Connaught man’s rambles
Another Irish tune I learnt in Coventry sessions.
Dennis Murphy’s slide
32 bar jig learnt whilst playing sessions with Terry Fairless.
Drops of Brandy
AKA: Father O’Flynn
Family jig, The
AKA Major Mackie’s Jig
Learnt from the playing of Bob Cann (from the west country, who called it “The family Jig) and Jimmy Shand. It is originally a Scottish tune (ie. Major Mackie’s).
Gander in the pratie hole!i
Go to the devil and shake yourself
Hunt the squirrel
Learnt early on from somewhere or other. Most likely sessions or dance bands. A good tune for the dance “Good man of Ballangeigh”
A tune from the John Clare manuscripts (it’s not clear whether he composed it) that has been popularised more recently by fiddle players Mat Green and Pete Cooper (see video below).
Lark in the morning, The
I first heard The Lemonvile from the playing of “The Shepherds” (Willie Taylor, Willie Atkinson, Joe Hutton).
Little burnt potato, The
I first heard Little Burnt Potato from the playing of “The Shepherds” (Willie Taylor, Willie Atkinson, Joe Hutton).
It is a Canadian tune.
Merrily kiss the Quaker
Month of May
Moon and seven stars
I learnt this tune for playing with Greenman Rising. I can’t remember who suggested the tune.
I picked this tune up from festival sessions in the early 2000s, and subsequently heard it played by a couple of dance bands.
Irish double jig.
I learnt this early on in Coventry sessions and I play this with a local variation. Instead of going up to the higher octave in the B music, it stays in the lower octave.
News of the Victory
I picked up News of the Victory probably after hearing it played at dances. It’s one of those tunes that simply appeared whilst practising without me being conscious of actually learning it.
Oats, beans and peas
Off she goes
A classic single jig that crops up all over the place. The A part is essentially the well known tune for singing the rhyme “Humpty Dumpty”, and for that reason it’s a good tune for demonstrating the rhythm of English single jigs.
Old favourite, The
Out on the ocean
Another ubiquitous English jig, learnt from somewhere or other.
“A good one”, James Winder wrote in his music notebook (1834-41). And he was right, it’s a cracking dance tune.
The name of this tune might make it seem to be Irish, but it has a quite English feel, if that means anything, and I have only heard it as a dance tune with English players. It also appears in the notebooks of many 19th century English traditional musicians.
From the Village music project:
Thomas Sands of Lincolnshire (1810)
William Clarke of Feltwell (1858)
HSJ Jackson of Wyresdale, Lancashire (1823)
James Winder, Lancashire (1835-41)
John Clare, the poet from Helpston, Northamptonshire.
Rev R Harrison, Cunbria. without C part (1815).
William Tildesley, Swinton, Lancashire (1860s).
Does this mean it is originally English? Who knows, but what we do know is that it has been in the repertoire of English dance musicians and looked after by them for a long time.
The A and B parts are used in the song “Saxon Shilling”
Padraig O’Keefe’s slide
Rakes of Kildare
Smash the windows
AKA Roaring Jelly.
Spirit of the dance
A very nice English jig. Apparently it is included in the Thomas Hardy manuscripts.
X: 1 T: Spirit Of The Dance R: jig M: 6/8 L: 1/8 K: Gmaj |:G2D E2D|G2D E2D|GAB c2B|ABG FED| G2D E2D|G2D E2D|GAB cde|dBA G3:| |:DFA c3|B3 A3|ABc d2e|c2d B3| GAB c3|B3 A3|cde dBG|B2A G3:| X: 2 T: Spirit Of The Dance R: jig M: 6/8 L: 1/8 K: Dmaj |:d2AB2A|d2AB2A|defg2f|efdcBA| d2AB2A|d2AB2A|defgab|aged3:| |:AdfG3|f3e3|Adfa3|g3f3| AdfG3|f3e2A|fgafed|f2ed3:|
Star above the garter, The
Swallow’s nest, The
Sweets of May
Tiger Smith’s jig
AKA Oscar Wood’s jig
Learnt from a recording of old English (East Anglian) melodeon players where Tiger Smith played it. A good English jig for dancing.
From the playing of Bob Cann. A Scottish tune originally I think.